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From two strong traits

Bard

One of the Torchbearers

Feels it and says it.

The Bard: a young man in a long open rust coat, loose trousers and a scarf, a feathered cap tipped over one eye, playing a lute with a half-smile.

When it gets hard

Telling everyone at once

A Bard having a rough week tends to reach out fast. They might send the same long message to several friends, or post a vague line and delete it an hour later. Their feelings show. They might cry in the toilets between classes, or on a break at work, then be extra loud at a party that weekend to cover it.

Sometimes the opposite follows. After a lot of reaching out, a Bard may go quiet and stop replying, worried they’ve become a burden. Friends can find the swing confusing. It goes from all the messages to none in a couple of days, and they may not know whether to message or give space.

Bigger in an empty room

A Bard settles a feeling by telling someone. Said out loud, it gets smaller and clearer. With nobody around to tell, it can grow and fill the evening.

Telling it over and over can feed it too, so the story gets bigger with each friend who hears it. By the last retelling, the friend who was short with them has become someone who never liked them.

There’s often a fear in there as well, that their feelings are too much for the people they love. That fear can make them reach harder, or pull back. Both can come from one wish, to stay close without wearing anyone out.

Hasn’t sung in the car all week. Says they’re fine, and turns the radio down.

Loud at lunch, stories cut short

Bards in a bad stretch can still be the loudest at lunch, and that part is real. The sign is smaller. Their stories start ending early. They get halfway into what happened with their sister, say “anyway, it doesn’t matter” and switch to someone else’s weekend.

Friends may think a Bard has plenty of support, since they talk to everyone. Talking to many people can still leave them feeling unheard by any one of them.

A strong reaction can also get taken as the whole story. A Bard who snapped yesterday may have spent today feeling bad about it without saying so. A friend who asks “what were you going to say before?” gives them room for the rest.

Picking one person to tell

Picking one steady person to tell can do more for a Bard than telling everyone. The feeling gets heard properly once, by someone who knows the whole background, and it has room to settle. Saying it plainly helps that friend. Even “I’m sad and I don’t know why yet” is enough to sit with, without needing the whole story first.

The feeling also needs somewhere loud to go that isn’t another message. One song turned right up in the kitchen, sung badly with a sibling or a housemate, lets it out with company in the room and nothing to reread later. A small plan for the day after a big event, like breakfast with a friend, can soften the drop when the noise ends.

If a hard patch has lasted a couple of weeks, or you don’t feel safe, talk to someone you trust, or see who you can talk to.

Moments linked to its traits

Things people go through that link to its two traits. Tap one to see why it happens.

Next: GrowingThe one who says “I missed you”

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